Indoor stage led display create new chapter for the stage

Indoor stage led display create new chapter for the stage

 

 

In the past 10 years, the application of indoor stage LED display in the performing arts space or on the stage has become more and more frequent and has been pervasive. If there is a performance, this method is often used, and it has even been listed as the preferred means. For example, in the large-scale cultural performance space, from the opening and closing ceremonies of China's Olympic Games a few years ago to the opening of the Sochi Winter Olympic Games, it can be said that in the application and creation of LEDs, the application is quite extreme, and it is shot out. Dynamic, magical, spectacular presentation charm! When the Beijing Olympics was praised by Rogge as "unparalleled", it should be said that there is also a credit for LED.


Columnar creative indoor rental LED display at the opening ceremony of the Sochi Winter Olympics


    Watching the CCTV Spring Festival Evening Stage in the past three sessions, the application of indoor rental LED screen has progressed more than one session, gradually adding more highlights, moving towards self-confidence, moving towards rationality and maturity. This year's image of the horse as the "main theme" of the stage picture, the lanterns are colorful, magnificent, and full of enthusiasm, and more praised the "Wan Ma Pentium" era atmosphere and spirit. Taking the Spring Festival Evening stage as a sample, we can see the probability and coverage of current LED applications. It can be said that indoor rental LED video wall has played a major role in the creation of the overall stage art, almost replacing or subverting the traditional and conventional techniques.

Indoor stage led display create new chapter for the stage

 

Indoor stage led display create new chapter for the stageIndoor stage led display create new chapter for the stage
Spring and evening dance beautiful and beautiful LED display


    For example, on the stage of ordinary performances where civilians can enter, regardless of the performing arts centers that have begun to have modern facilities, or the simple and traditional comprehensive performance venues, the LED application rate also accounts for a considerable proportion. At the stage of the 10th China Arts Festival held in Shandong last year, LED was widely used in different dramas and different repertoires, and to a certain extent, created its own artistic language. When I participated in the awards in the opera and dance group, I watched 25 entries in a series. Most of the stages used LEDs, which was a dazzling array of LED displays and debuts.


    The creation phenomenon of LED in the performing arts space has embarked on a normal development state. Although LED is only a technical means in artistic creation, it is rich in its own strengths, its own advantages, its own vitality, serving the stage production, creating a new path for art, adding luster to color, and it is a road of hope for artistic innovation. Our contemporary performing arts space art, with the development of the audience's vision and the changes in aesthetic needs, its creation can no longer stand still, adhere to the tradition, can not break through, break through, learn from the power of stage technology, create services for their own art. . Therefore, the "marriage" between stage art and stage technology and communication and cooperation to create a new visual space and vivid visual image are imperative and positive measures. They can build mutual benefit, mutual assistance and mutual assistance. Development platform.


    The development of things will always go through a certain process, and it will also show its own weaknesses or weaknesses. It needs to be tempered and experienced. It needs to develop strengths and avoid weaknesses in order to reveal its own value advantage and the best state of life. Of course, there have been some problems in the process of applying LEDs to stage art.


    First of all, the current LED application is relatively simple. The general operating state is the starting stage, which only plays the lighting function, and does not really enter the level of artistic creation. The stage is a comprehensive art, LED plays the role of art, and the ultimate goal is to complete the creation of art, not just as a technical tool. Similar to acting as a "picture match", the collage of erbium is a relatively passive work. At present, there are relatively superficial and graphical applications, and the process is relatively rough, giving the impression that “there is not enough drama, the scenery is coming together; the scenery is not enough, and the LEDs are to make up”.


    Second, the application of LEDs is not rational enough. Its appearance on the performing arts space platform, like a "black horse", can be said that preparation is not sufficient. For example, the previous two CCTV Spring Festival Evenings appeared to be stacked and rich, but instead showed the invisible, agile or static visibility of the video screen. Art creation requires passion, individuality, fulfillment, and implementation requires rational response. Stage art creation can't just stay on paper, it is a very material creation. The "rationality" here should also include the rationality of funding. The success of any artistic creation is not always proportional to input. The rationality of art is also the expression of self-confidence and maturity.


    Third, the stage art of each category has formed its own artistic rules and expression language. They all have their own audience, a custom-made relationship, and a standard for viewing value. For example, in our opera stage, especially in the traditional opera stage, its aesthetic principles, I think that we can't rashly “subvert” and “innovate” as we please. I think of contemporary stage technology. Whether it can be applied to the stage, we must treat it with caution and must respect the mature aesthetic principles of the traditional stage. LED is not a panacea, can it be accepted by the stage, absorbed, and sincerely recognized, the important point is to see whether it can be unified with the language on the stage, and whether the aesthetic principles are consistent.


    Fourth, the important feature of stage art's unique charm is its holistic and comprehensive bloom. It encompasses all aspects of creation, material factors, and more human factors, including the full input and participation of the creative artists. LED is a technical means that needs to be further developed and applied. It requires the renewal of the artist's creative ideas and the understanding of the new stage technology that is overwhelming. Taking stage space as an example, the stage of dance drama, song and dance, LED application has obvious advantages, but in the drama stage, especially the traditional opera, it is another matter. Judging from the current creative achievements, it often gives people a feeling of inconsistency. In other words, encountering the collision of the above aesthetic concepts, the gap between artistic language. Here, it is also necessary to "tune" the application to enable the stage technology, including the application of LEDs, to be more in place, more effective, and more artistic, so that they truly become a part of art creation.


    In short, the cooperation between stage art creation and indoor stage LED display application is even a "marriage". The space for exploration is great and the development prospects are very bright. The former borrows the power of science and technology to create and innovate; the latter contributes to the stage art, constantly adding icing on the cake and opening a new page. They each promote their own advantages, and in the development of the lips and teeth, will further create a higher platform for space art!

Share this Post:

Send us an Email

Work Time :
8:30-18:00(Beijing time)
Fax :
info @tbcled.com
Telephone :
86-188 2466 9006(Working time)
Factory Address :
Floor2, Building 4, No.32, Laiwu Road, LongGang District, Shenzhen, China
contact us